A bank teller called Guy realizes he is a background character in an open world video game called Free City that will soon go offline.

The Swede (Marlon Brando), a prison warden, rules his family and his prison with an iron hand in one of the coldest parts of North Dakota. When an inmate dies under mysterious circumstances, however, the FBI sends in agent Karen Polarski (Mira Sorvino) to investigate. On the home front, the sons-in-law of the Swede, Larry (Thomas Haden Church) and Bud (Charlie Sheen) accidentally discover that a train loaded with millions of dollars of unmarked currency slated to be destroyed will soon be passing through. The temptation is too great and the guys hatch a scheme to rob the train. Of course, the biggest obstacle in their way is the Swede.

After young Kirra (Bindi Irwin) leaves her Australian home to summer with her grandfather (Beau Bridges) in South Africa, she soon discovers a baby orca stranded in the lagoon near her grandfather’s rundown seaside amusement park. She names the lonely whale Willy–and embarks on a great quest to lead the little guy back to his anxious pod.

Harry Doyle (Lancaster) and Archie Lang (Douglas) are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom. Harry and Archie realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt. Archie, who spent his prison time pumping himself up, easily picks up a 20-year-old aerobics instructor. Harry, on the other hand, has to waste away his days in a nursing home. They both have festering resentments — Archie for having to endure a humiliating job as a busboy; Harry for having to endure patronizing attitudes toward senior citizens. The two old pals finally go back to what they know best. After successfully robbing an armored car, they decide to rob the same train that they robbed thirty years ago.

In this true-crime documentary, three guys exploit the freewheeling cryptocurrency market to scam millions from investors and bankroll lavish lifestyles.

Izzy is an energetic 9-year-old. Overscheduled and running late, Izzy’s parents can’t pick her up on-time the last day of school before Christmas break. A blizzard complicates the matter, but not as much as a pair of bad guys who are freezing in an ice cream truck. The school’s janitor is kidnapped by the intruders, and it’s up to Izzy to save the day.

After a series of bomb blasts in Hyderabad a special ATS team lead by officer Desai name Yasin Darji as the suspect. Following a tip-off the team reaches a location to arrest Yasin only to end up arresting Sameer, the wrong guy. While the error needs to be fixed, the higher authorities decide to bargain with Sameer for his freedom, sending him as a mole. Sameer turns a mole to stop Yasin Darji before he kills more innocent people. A chase begins. Will they manage to stop Yasin, or will Yasin trump?

Six years ago a criminal mastermind hid one ton of cocaine in an abandoned warehouse. No one knows the location of the drugs except his violent sidekick and his beautiful but deadly girlfriend. Instead of giving up the stash to the cops or a rival gang, the criminal, a mysterious Jamaican named Ghost, takes his secret to prison. When he is kidnapped by a black box covert operative by the name of Cole (Bill Koruna), he escapes with the help of an FBI agent (Angela Williams). Now free on parole, Cole’s only goal is to get the cocaine, sell it, and disappear into a life of luxury. But his actions have been closely watched by the DEA, The Russian mob and bad guys alike, and everyone is interested in following the trail to the hidden hoard of coke.

Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.

Reuben Feffer is a guy who’s spent his entire life playing it safe. Polly Prince is irresistible as a free-spirit who lives for the thrill of the moment. When these two comically mismatched souls collide, Reuben’s world is turned upside down, as he makes an uproarious attempt to change his life from middle-of-the-road to totally-out-there.

In the harsh terrain of the Mexican desert, a mortally wounded man is left for dead in the heat of the desert sun. This is Jay. Once a street smart, carefree young guy. Now, a wanted man. As death looms, the only thing that keeps him alive is the quest to find the love of his life, Natasha. A woman betrothed to another man, but surely destined for Jay. A woman who comes into his life like a bolt of lightning and changes it forever.

When best buds Rick and Fred begin to show signs of restlessness at home, their wives take a bold approach to revitalize their marriages: they grant the guys a “hall pass”, one week of freedom to do whatever they want. At first, it seems like a dream come true, but they quickly discover that their expectations of the single life – and themselves – are completely and hilariously out of sync with reality.

Natalie (Elisabeth Harnois) is high school royalty, but her queen bee status falls apart when she falls for the new guy at school. Although Keith (Jesse McCartney) ignores her at first, they soon become friends — even though Natalie suspects that Keith has something to hide. As the free-spirited Keith shows Natalie how to embrace what life offers, they grow closer — until a secret tests the bounds of their relationship

Adam is your average working-class guy living in small-town America. He’s an auto mechanic who spends his free time with his tight-knit band of bros, Chris, Nick and Ortu, with whom he does everything—poker, video games, shooting hoops, getting drunk and meeting women. But there is something about Adam that even his friends don’t know. He is not that interested in women. When he comes out, sort of by accident but not really, his best friend Chris promises him that nothing will change but, of course, some things do. After the initial shock, the boys quickly come around to the fact that Adam is still the same dude, but when his double date with Chris ends disastrously, a drunken misunderstanding threatens to derail the group’s entire dynamic. Fourth Man Out is a feel-good buddy comedy with plenty of heart that focuses on the growing pains and ultimate strengths of of friendship.

New York City factory worker Eddie Marino (Robert Forster, Oscar nominee for JACKIE BROWN) is a solid citizen and regular guy, until the day a sadistic street gang brutally assaults his wife and murders his child. But when a corrupt judge sets the thugs free, Eddie goes berserk and vows revenge.

“The Party Is Over” tells the story of three unusual guys who are roommates at a Southern California university and whose privileged lifestyle and the freedom that goes with it lead to bizarre and obsessive, even twisted, relationships with three equally complicated women.

Regular guy Ed (Marcus Carroll) awakes one morning to find that his Grandmother has become one of the living dead. While trapped in his home Ed tries to survive the day, keep his house zombie free, stay alive and save the day.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

When Guy Simms is yanked out of his mundane routine mopping floors at the gay cabaret and accused of burning down the evangelical church by the town preacher, Guy overcomes his fear of authority to prove his innocence in this sardonic film about Leathermen, the Bible and fighting for freedom.

7 girls and 1 fab gay guy plan a getaway to a remote ranch for a week of gossip and grub. They start off where they always do, old rivalries in place, extreme vanity covering great insecurities, but with a true love for each other underneath the bickering, sniping and sassing. A number of drinks into night one and a dark secret is revealed. The house they rented is the site of a mass murder of teenage girls 15 years earlier. Blood still stains the floors under replacement carpets. The killer still runs free. The girls take it for what it seems – a fun story for a rainy night by a roaring fire. But after one of them disappears and is discovered dead, the story doesn’t seem so fun anymore. 1 by 1, they die, killed by their own vanity. The fun-filled week turns into a race against death. Who will make it out alive?

Franczesko, Fikoł and Szyja known each other for years, they work together and spend their free time together. When they lose their job in a local factory, decide to spend a crazy weekend in the capital. But the real adventure has yet to begin, when – during a forced stop in charming surroundings Transriver – three guys is mistakenly taken for German investors.